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Our Play Together Series for multiple electronic keyboards
continues to grow with the addition of Beethoven's world-famous
sonata, written for eight players. In addition to the main theme of
the piano solo, Stampfli has included lush string backgrounds. Sure
to be a favorite!
This nicely filled-out arrangement of the famous theme from
Beethoven's 9th Symphony is especially appropriate as a performance
piece for an intermediate level pianist, featuring elements of the
symphonic work intertwined with the theme. It is presented in D
major, has a wide keyboard range, and nice extremes in dynamics.
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's
notes and comments in five languages. Volume One contains Sonatas
One through Seventeen and Volume Two contains Sonatas Eighteen
through Thirty-Two.
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Ode To Joy (Book)
Ludwig Van Beethoven, Sharon Aaronson
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R93
R72
Discovery Miles 720
Save R21 (23%)
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Out of stock
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This nicely filled-out arrangement of the famous theme from
Beethoven's 9th Symphony is especially appropriate as a performance
piece for an intermediate level pianist, featuring elements of the
symphonic work intertwined with the theme. It is presented in D
major, has a wide keyboard range, and nice extremes in dynamics.
Volume II includes many brilliant German dances, waltzes,
ecossaise, and bagatelles.
Edited by Willard A. Palmer, this is Beethoven's complete Sonata,
Opus 27, No. 2. There are historical notes about the work and the
composer, as well as illustrations, performance suggestions
regarding staccato, notes by Carl Czerny, and additional footnotes
within the score. Mr. Palmer notes that "the present edition has
been carefully prepared from the original autograph manuscript and
the first edition"
Titles: Sonata No. 1: Opus 2, No. 1 in F Minor * Sonata No. 2: Opus
2, No. 2 in A Major * Sonata No. 3: Opus 2, No. 3 in C Major *
Sonata No. 4: Opus 7, E-Flat Major * Sonata No. 5: Opus 10, No. 1
in C Minor * Sonata No. 6: Opus 10, No. 2 in F Major * Sonata No.
7: Opus 10, No. 3 in D Major * Sonata No. 8: Opus 13, C Minor
"Pathetique" * Sonata No. 9: Opus 14, No. 1 in E Major * Sonata No.
10: Opus 14, No. 2 in G Major * Sonata No. 11: Opus 22, B-Flat
Major * Sonata No. 12: Opus 26, A-Flat Major * Sonata No. 13: Opus
27, No. 1 in E-Flat Major * Sonata No. 14: Opus 27, No. 2 in
C-Sharp Minor "Moonlight Sonata" * Sonata No. 15: Opus 28, D Major.
Beethoven wrote 32 sonatas for piano. The final installment, Volume
4, edited by Stewart Gordon, contains Sonatas 25--32, written
between 1809 and 1822 and published shortly thereafter. Of the
eight sonatas in this volume, autographs exist in whole or in part
for all but Op. 106, missing since World War II. This edition is
based on the existing autographs and the first editions. Dr. Gordon
discusses a variety of topics including Beethoven's life; the
pianos of his time and their limitations; Beethoven's use of
articulation, ornamentation, tempi; and the age-old challenge of
attempting to determine the definitive interpretation of
Beethoven's music. Valuable performance recommendations, helpful
fingering suggestions and ornament realizations are offered in this
comprehensive critical body of Beethoven's sonatas. Where
performance options are open to interpretation, other editors'
conclusions are noted, enabling students and teachers to make
informed performance decisions. Titles: Op. 79 ("Sonatine"); Op.
81a; Op. 90; Op. 101; Op. 106 ("Hammer-Klavier"); Op. 109; Op. 110;
and Op. 111. 264 pages.
Beethoven wrote the 33 Variations on a waltz by Anton Diabelli, Op.
120, commonly known as the Diabelli Variations, between 1819 and
1823. Martin Cooper writes, "The variety of treatment is almost
without parallel, so that the work represents a book of advanced
studies in Beethoven's manner of expression and his use of the
keyboard." 32 pages.
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Moonlight Sonata (Book)
Ludwig Van Beethoven, Artur Schnabel
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R153
R116
Discovery Miles 1 160
Save R37 (24%)
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Out of stock
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Artur Schnabel was one of the world's greatest interpreters of
Beethoven. Schnabel collated every Beethoven manuscript and first
edition he could find and then went to work to supply a guide to
interpretation that is a monumental achievement. This newly
engraved edition is based on that scrupulous scholarship and
attention to detail. Included are Schnabel's footnotes in English,
Spanish, Italian, German, and French. This edition will prove
indispensable for study and concert or recital preparation.
Dr. Stewart Gordon, Professor of Music in the Department of
Keyboard Studies at the University of Southern California, is held
in high regard by professional piano teachers worldwide. His
critical editions of Beethovenas piano sonatas provide all the
tools necessary for a stylistic performance and are essentials for
the library of every piano teacher. His thorough research of the
earliest available sources has captured the most accurate
reflection of the composeras intent. These sonatas contain helpful
fingering suggestions and performance recommendations. Other
editorsa conclusions are noted where performance options are open
to interpretation. Volume 3 includes Sonatas 16a24 (Op. 31, Nos. 1,
2, 3; Op. 49, Nos. 1, 2; Opp. 53, 54, 57, and 78). 260 pages.
The Sonata No. 8 in C Minor, Op. 13, is an important milestone, not
only in Beethoven's piano sonatas but also in the development of
the keyboard sonata. It is dramatic and emotional to the extent
seldom approached by composers of the day as suggested by the term
"pathtique" attached to the title of the first edition. Dr. Stewart
Gordons editions of Beethoven's most popular piano sonatas provide
the key to a stylistic performance. Thorough research of the
earliest available sources has enabled Dr. Gordon to produce the
most accurate reflection of the composers intent. Each sonata
contains helpful fingering suggestions and performance
recommendations. Other editors conclusions are noted where
performance options are open to interpretation.
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Sonaten 2 (Book)
Ludwig Van Beethoven, Stewart Gordon
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R650
R498
Discovery Miles 4 980
Save R152 (23%)
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Out of stock
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Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart
Gordon, includes Sonatas 9a15 (Op. 14, Nos. 1a2; Op. 22; Op. 26;
Op. 27, Nos. 1a2; and Op. 28), written between 1798 and 1801 and
published shortly after they were written. Of the sonatas in this
volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and
final pages are missing); and Op. 28. This edition is based on the
existing autographs and the first editions, published by various
Viennese engravers. Dr. Gordon discusses a variety of topics
including Beethoven's life; the pianos of his time and their
limitations; Beethoven's use of articulation, ornamentation, tempo;
and the age-old challenge of attempting to determine the definitive
interpretation of Beethoven's music. Valuable performance
recommendations, helpful fingering suggestions and ornament
realizations are offered in this comprehensive critical body of
Beethoven's sonatas. Where performance options are open to
interpretation, other editors' conclusions are noted, enabling
students and teachers to make informed performance decisions.
Beethoven wrote 32 sonatas for piano. Volume 1, edited by Stewart
Gordon, includes the first 8 sonatas (Op. 2, Nos. 1-3; Op. 7; Op.
10, Nos. 1-3; and Op. 13 ["PathA(c)tique"]), written between 1795
and 1799. Since these autographs no longer exist, this edition is
based on the first editions, published by various Viennese
engravers. Dr. Gordon discusses a variety of topics including
Beethoven's life; the pianos of his time and their limitations;
Beethoven's use of articulation, ornamentation, tempo; and the
age-old challenge of attempting to determine the definitive
interpretation of Beethoven's music. Valuable performance
recommendations, helpful fingering suggestions and ornament
realizations are offered in this comprehensive critical body of
Beethoven's sonatas. Where performance options are open to
interpretation, other editors' conclusions are noted, enabling
students and teachers to make informed performance decisions.
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